- Projects
- Helmholtz Munich 2025
- Subway Bonn main station
- GOHA Cologne 2024
- Kinderzentrum Bethel Bielefeld 2023
- Federal Ministry of Health Berlin 2022
- Medical practice Düsseldorf 2022
- BKA Berlin 2021
- DKFZ Heidelberg 2020
- Nangang Exhibition Center Taipei
- DKFZ Heidelberg 2019
- House Mitanand Bregenz 2017
- KIT Karlsruhe 2016
- Bloomberg LP Parc Ave NYC 2016
- Fraunhofer Institut Stuttgart 2016
- Handwerkskammer MG 2015
- Kö corona Düsseldorf 2013
- Airport BER 2012
- Goethe Institute Prag 2012
- The Procurement Office of the Federal Ministry Bonn 2011
- Uniklinik Düsseldorf 2011
House Mitanand Bregenz 2017

tangle, residential care home Mitanand, Fußach-Höchst, AT

tangle, residential care home Mitanand, Fußach-Höchst, AT

tangle, residential care home Mitanand, Fußach-Höchst, AT

Devotion, residential care home Mitanand, Fußach-Höchst, AT

Devotion, residential care home Mitanand, Fußach-Höchst, AT
Devotion and tangle
Exterior façade and prayer room of the nursing home "Haus Mitanand" Höchst/ Fußach, AT
Lasercut, aluminium 6 mm, powder-coated, LED backlit, diameter 480 cm gold leaf on glass
By dealing with the house, its function and the Arial, which houses several institutions, it was important to me to address "togetherness" in a sensual associative form.
Formally, the work is abstract, but I assume a controlled coincidence and use everyday objects to find form. In this case, I scanned rubber rings, scaled them and composed them exactly for this location.
The ring in its superimposition as a union – as the formation of a unity – as a structure – intersections as a symbol of communication and cohesion.
In contrast to the open, floating inlay for the devotional room, the rings in the "tangle" overlap compactly to form a ball – to form a closed but organic-looking unit.
The ruby red "tangle" has a signaling effect during the day and at night the color recedes and only its corona becomes visible, which creates a nice interaction.
Devotion: Amorphous, organic-looking rings made of gold leaf are applied to the windows. Working on the wall requires meticulousness and concentration, because the papers are placed piece by piece.
Time and slowness are important in terms of content. The "here and now" are addressed.
The rings form intersections and superimpositions, suggest spatiality through their different sizes and line widths and move upwards like air bubbles, where they become smaller and fewer in number and density and seem to disappear "upwards".
This can be read associatively, as one likes, as the one turned towards heaven.
- Direct invitation from curator Mg. Judith Reichart, Bregenz, AT
- Heike Weber, 2017